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A Darker Wilderness

Black Nature Writing from Soil to Stars

ebook
2 of 2 copies available
2 of 2 copies available
A vibrant collection of personal and lyric essays in conversation with archival objects of Black history and memory.

What are the politics of nature? Who owns it, where is it, what role does it play in our lives? Does it need to be tamed? Are we ourselves natural? In A Darker Wilderness, a constellation of luminary writers reflect on the significance of nature in their lived experience and on the role of nature in the lives of Black folks in the United States. Each of these essays engages with a single archival object, whether directly or obliquely, exploring stories spanning hundreds of years and thousands of miles, traveling from roots to space and finding rich Blackness everywhere.

Erin Sharkey considers Benjamin Banneker’s 1795 almanac, as she follows the passing of seasons in an urban garden in Buffalo. Naima Penniman reflects on a statue of Haitian revolutionary François Makandal, within her own pursuit of environmental justice. Ama Codjoe meditates on rain, hair, protest, and freedom via a photo of a young woman during a civil rights demonstration in Alabama. And so on—with wide-ranging contributions from Carolyn Finney, Ronald Greer II, Alexis Pauline Gumbs, Sean Hill, Michael Kleber-Diggs, Glynn Pogue, Katie Robinson, and Lauret Savoy—unearthing evidence of the ways Black people’s relationship to the natural world has persevered through colonialism, slavery, state-sponsored violence, and structurally racist policies like Jim Crow and redlining.

A scrapbook, a family chest, a quilt—and an astounding work of historical engagement and literary accomplishment—A Darker Wilderness is a collection brimming with abundance and insight.

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    • Booklist

      October 16, 2023
      In dialogue between Black history and Black nature writing, this anthology of original essays combs through personal memory and historical archives. Each piece takes inspiration in an object, placing it into a context that encompasses both the history it represents and the way that nature, or the human experience of it, influences that object. Several essays, like Ama Codjoe's "An Aspect of Freedom," wrap themselves around an item whose link to nature is in the eye and thoughts of the beholder and essayist. Glenn Pogue's "A Family Vacation"" reaches back to the history of ""just for us"" family resorts in the Poconos and brings them into the COVID era, touching on the need for places where people can be renewed by both the love of family and the joys of nature. Editor Sharkey's own contribution, "An Urban Farmer's Almanac: A Twenty-First Century Reflection on Benjamin Banneker's Almanacs and other Astronomical Phenomena," shows the continued relevance of an important piece of historical Black nature writing. Readers who believe that nature writing is all about being alone in the shrinking, remote areas of the world, or written only by people with privilege and vast amounts of disposable income, will be inspired by this collection, while those who looking for more books like Christian Cooper's Better Living Through Birding (2023) will be thrilled to find this work and the voices of many other writers.

      COPYRIGHT(2023) Booklist, ALL RIGHTS RESERVED.

    • Kirkus

      Starred review from December 15, 2022
      A unique collection of nature writing focused on Black experience and memory. This book is a response to the absence of Black literature about attachment to the American landscape, a multigenerational dwelling place that is both internal and external. An abundance of relevant themes emerge: home as refuge, seeking freedom amid social oppression, gardens as healers, and the complex history of Black landownership. Opening with an irony that casts its shadow on the pages that follow, Sharkey describes a youthful photo of her mother "kneeling by a pond on a twelve-acre property in New York that she and my father will never own, but that will become their legacy." Attachment does not equal possession, and Sharkey's own quest for "home" becomes all-consuming, extending to the realm of nature writing that "has been dominated by white, cisgender men with access to resources," from Thoreau to Audubon, Abbey to Pollan. These essays hit from refreshingly different angles. Birder Sean Hill juxtaposes his life to that of Austin Dabney, a Revolutionary War soldier rewarded with land grants and freedom (at least from slavery). Alexis Pauline Gumbs connects her life to that of "Black feminist speculative nature poet" Audre Lorde. The more academic essays are the fruit of archival research, though Sharkey reminds us to be attuned to "the racist structures in place in the institutions of memory." Lauret Savoy provides ample illustrations of American place names that are "not innocent, passive, or neutral." Similar in approach and spirit to Tiya Miles' All That She Carried, these selections are written in response to artifacts, with the exception of Ronald L. Greer's "Magic Alley," which lyrically depicts the beauty and horrors of a Detroit neighborhood through the eyes of a child, a place where "the people who used the powdery substance alchemically transformed it to a liquid, then used a needle to escape to another dimension." A well-curated assemblage of Black voices that draws profound connections among family, nature, aspiration, and loss.

      COPYRIGHT(2022) Kirkus Reviews, ALL RIGHTS RESERVED.

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  • English

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