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John Berryman and Robert Giroux

A Publishing Friendship

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1 of 1 copy available
1 of 1 copy available

This engaging study provides new perspectives on the lives and work of two major figures in American poetry and publishing in the second half of the twentieth century: Robert Giroux (1914–2008), editor-in-chief of Harcourt, Brace and Company and later of Farrar, Straus and Giroux, and John Berryman (1914–1972), Pulitzer Prize–winning poet and Shakespearean scholar who also received a National Book Award and a Bollingen Prize for Poetry. From their first meeting as undergraduates at Columbia College in New York City in the early 1930s, Giroux and Berryman became lifelong friends and publishing partners. Patrick Samway received unprecedented access to Giroux's letters and essays. By incorporating either sections or whole letters of the correspondence between Berryman and Giroux into this book, Samway makes available for the first time a historical account of their relationship, including revealing portraits of their personal lives.

As Giroux edited over a dozen books by Berryman, his letters to the poet were often filled with editorial details and pertinent observations, emanating from his genuine affection for his friend, whose talent he never doubted, even as Berryman endured prolonged periods of hospitalization due to his alcoholism. Giroux gave Berryman the greatest gift he could: sustained encouragement to continue writing without trying to manipulate or discourage him in any way. But Giroux also had a deep-seated secret desire to surpass the essays written about Shakespeare by Berryman, as well as the book on Shakespeare written by their mutual professor Mark Van Doren. Giroux's volume, The Book Known as Q: A Consideration of Shakespeare's Sonnets, was finally published in 1982. Samway's fascinating account of a gifted but troubled poet and his devoted yet conflicted editor will interest fans of Berryman and all readers and students of American poetry.

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    • Publisher's Weekly

      Starred review from August 24, 2020
      Samway (Flannery Connery and Robert Giroux), an English professor at St. Joseph’s University, charts in this revelatory literary study the close relationship between John Berryman (1914-1972) and Robert Giroux (1914-2008). The latter, a poet as well as the editor and publisher of much of Berryman’s poetry, first met the former when they were first-years at Columbia College in 1931, initiating a lifelong friendship. Samway limns the professional paths of both in parallel. He follows Giroux from editor to partner to company chairman as Farrar Straus becomes Farrar, Straus and Giroux. For Berryman, he shows the poet weathering rejections and negative reviews; scraping together a living through fellowships, grants, and teaching jobs; and all the while producing seminal poetic works. Samway places particular attention on 1956’s Homage to Mistress Bradstreet and the 1968 National Book Award winner His Toy, His Dream, His Rest, both edited by Giroux. Showing Berryman and Giroux’s places in the wider literary world, Samway considers Berryman’s friendships with Robert Lowell, Delmore Schwartz, and Mark Van Doren, among others, and Giroux’s work in bringing a number of authors before a wide readership, including Jack Kerouac, Aleksandr Solzhenitsyn, and Susan Sontag. Promising to show “one of the most extraordinary personal and professional relationships in the history of American poetry,” Samway succeeds with a work both definitive and effortlessly readable.

    • Kirkus

      September 1, 2020
      An important friendship helped to sustain a poet's work. Samway, a priest and literary scholar whose previous books focused on Flannery O'Connor, Walker Percy, and Thomas Merton, offers an intimate portrait of the relationship between editor Robert Giroux (1914-2008), who was a close friend of Samway's, and poet John Berryman (1914-1972), whose work Giroux edited, promoted, and encouraged. The two met at Columbia University in 1932, where both were students of the famed professor and poet Mark Van Doren. Samway recounts each man's career moves: Giroux, first at CBS, then as junior editor at Harcourt, and finally editor at Farrar, Straus & Cudahy, where he became chair; Berryman, studying at Cambridge, then taking short-term teaching stints at various colleges, delivering lectures, and achieving the fame that resulted in accolades, grants, and awards. Their personalities could not have been more different. Berryman described himself as "a disagreeable compound of arrogance, selfishness and impatience, scarcely relieved by some dashes of courtesy and honesty and a certain amount of industry." Giroux was patient, steady, and, as his letters to Berryman attest, kind. Berryman was a womanizer and alcoholic, "plagued by incandescent outbursts and perilous bouts of depression," which led to repeated hospitalizations and treatment with a hefty "cocktail of drugs." He married three times, subjecting each wife to what one called the "nightmare" of living with him. Giroux, though briefly married, lived quietly with a man he had known since they were teenagers. Berryman was tormented by his father's death, ruled an apparent suicide. "I feel I am a sort of human grenade whose pin has been withdrawn," he wrote shortly before he jumped from a bridge at the age of 57. His anguished life dominates Samway's cleareyed literary history, populated by a large cast of characters including Allen Tate, Robert Lowell, Saul Bellow, and T.S. Eliot. A perceptive, empathetic look at a confluence of artistic lives.

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