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13th Balloon

ebook
1 of 1 copy available
1 of 1 copy available
O, The Oprah Magazine, "42 Best LGBTQ Books of 2020"
NPR's Favorite Books of 2020
In his fourth collection, 13th Balloon, Mark Bibbins turns his candid eye to the American AIDS crisis. With quiet consideration and dark wit, Bibbins addresses the majority of his poems to Mark Crast, his friend and lover who died from AIDS at the early age of 25. Every broken line and startling linguistic turn grapples with the genre of elegy: what does it mean to experience personal loss, Bibbins seems to ask, amidst a greater societal tragedy? The answer is blurred— amongst unforeseen disease, intolerance, and the intimate consequences of mismanaged power. Perhaps the most unanswerable question arrives when Bibbins writes, "For me elegy/ is like a Ouija planchette/ something I can barely touch/ as I try to make it/ say what I want it to say." And while we are still searching for the words that might begin an answer, Bibbins helps us understand that there is endless value in continuing—through both joy and grief—to wonder.
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    • Publisher's Weekly

      Starred review from November 18, 2019
      The achingly beautiful fourth collection from Bibbins (They Don’t Kill You Because They’re Hungry, They Kill You Because They’re Full) is a book-length elegy to a lover who died of AIDS-related complications in 1992. “Not lovers/ though we loved,” Bibbins writes. “Not boyfriends though we were/ friends and still/ boys in most ways when you died.” The collection’s title references a memorial to this beloved, the release of 12 balloons, crossing time to position the book as the 13th component. It’s a move emblematic of the book’s powerful ability to stitch the past to the present: “There are days when everything feels like a metaphor/ for your having died// There are days/ when nothing does.” Bibbins is attentive to time’s passing, not easily captured in traditional notions of fading: though the speaker doesn’t “have that many/ memories of you left,” the gift of The Selected Poems of Frank O’Hara that he keeps at his bedside testifies to the persistence of the beloved’s presence. The scope of this darkly humorous and always tender book paints a portrait of grief as a fellow traveler that morphs but loses none of its power over time—a power readers will be lucky to experience.

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  • English

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